Bambi was born Jean-Pierre Pruvot in a tiny Algerian village in 1935. Even as a child, she refused to meet the expectations of her extended family, choosing instead to find a way to become the woman she always knew herself to be. A Cabaret Carrousel de Paris performance in Algiers in the 1950s proved to be all the encouragement she needed to emigrate to the French capital, assume the stage name of ‘Bambi’ and lead the life she longed for on the music-hall stages. 　　Jean-Pierre, known since then as Marie-Pierre, is now 77 years old. Hers is a story of deep-seated confusion, painful rejection and impassioned courage. An impressive collage of photographs and chansons, archive footage, excerpts from feature films, Super-8 clips and visits to the places of her childhood provides a sensitive chronicle of her liberating transformation into a radiant transsexual woman. Stops along the way include her first love, her friendship with fellow artiste Coccinelle, her experiments with hormones, her rivals and scandals, the story of how she became a writer – and her surprising encounter with the love of her life.

阿尔芭，一个11岁的女孩，由于母亲的病，不得不搬到她父亲的家里。她几乎不认识他，在家和他共度时光感觉很奇怪，两人都很害羞，都感到孤独，但却找不到接近对方的方法。

阿尔芭，一个11岁的女孩，由于母亲的病，不得不搬到她父亲的家里。她几乎不认识他，在家和他共度时光感觉很奇怪，两人都很害羞，都感到孤独，但却找不到接近对方的方法。

年邁的陳爸為了阻止政府和財團前來收地，奮力的奔波，去向州政府爭取當年 　　承諾過、卻不曾給予的土地證明，以捍衛自己一輩子辛勞開墾的榴槤芭。不幸的是，因為 　　生活的窘迫，導致越來越多農民選擇向財團簽約。陳爸與兒子在各自的利益與不捨下，各 　　懷心思與掙扎。

导演自述： 　　芭雅，在壮语都安方言里是老祖母的意思。我知道片中的芭雅是在北京南锣鼓巷朴道草堂书店一次关于留守儿童的讲座上。书店不大的厅里挤满了人，我只能挤在一个看不见主讲人和屏幕的角落，听完近两个小时的讲座和Q&A。主讲人赵俊超博士是国务院发展研究中心的副研究员，他在广西都安调查五年，出版了《中国留守儿童调查》一书。本来我感兴趣的是“留守儿童”，但是在他的讲述中，有一个老奶奶吸引了我：她失去了七个儿子中的六个，还扶养着六七个儿子们留下的孤儿。因为看不到屏幕上的图片，我想象着她的样子，对她产生了敬仰和好奇：一个女人，怎么能经历这么多孩子的死，还能继续活下来。

年邁的陳爸為了阻止政府和財團前來收地，奮力的奔波，去向州政府爭取當年 　　承諾過、卻不曾給予的土地證明，以捍衛自己一輩子辛勞開墾的榴槤芭。不幸的是，因為 　　生活的窘迫，導致越來越多農民選擇向財團簽約。陳爸與兒子在各自的利益與不捨下，各 　　懷心思與掙扎。

导演自述： 　　芭雅，在壮语都安方言里是老祖母的意思。我知道片中的芭雅是在北京南锣鼓巷朴道草堂书店一次关于留守儿童的讲座上。书店不大的厅里挤满了人，我只能挤在一个看不见主讲人和屏幕的角落，听完近两个小时的讲座和Q&A。主讲人赵俊超博士是国务院发展研究中心的副研究员，他在广西都安调查五年，出版了《中国留守儿童调查》一书。本来我感兴趣的是“留守儿童”，但是在他的讲述中，有一个老奶奶吸引了我：她失去了七个儿子中的六个，还扶养着六七个儿子们留下的孤儿。因为看不到屏幕上的图片，我想象着她的样子，对她产生了敬仰和好奇：一个女人，怎么能经历这么多孩子的死，还能继续活下来。

Everyone and everything is a story, but what about finding the right words? This is something that fifteen-year-old Murra discovers while travelling on a photo-excursion for disadvantaged youth through the ancient natural landscapes of her Aboriginal homeland. In the course of one eventful week of wild camping and wandering through historic Indigenous sites, Murra reconnects with her ancestral roots, makes friends for life, experiences the disappointments of heartbreak but discovers also her love for photography. As the camera and the images she creates calibrate her with a fresh point of view to the world, Murra sees new possibilities for her future. Sweet As celebrates resilience, growth, hope and love and the importance of finding one’s very own voice in the process. 　　源自：https://www.berlinale.de/en/2023/programme/202315222.html

Everyone and everything is a story, but what about finding the right words? This is something that fifteen-year-old Murra discovers while travelling on a photo-excursion for disadvantaged youth through the ancient natural landscapes of her Aboriginal homeland. In the course of one eventful week of wild camping and wandering through historic Indigenous sites, Murra reconnects with her ancestral roots, makes friends for life, experiences the disappointments of heartbreak but discovers also her love for photography. As the camera and the images she creates calibrate her with a fresh point of view to the world, Murra sees new possibilities for her future. Sweet As celebrates resilience, growth, hope and love and the importance of finding one’s very own voice in the process. 　　源自：https://www.berlinale.de/en/2023/programme/202315222.html

以凯奇饰演的卡罗·甘比诺为主线，这位来自西西里的屠夫之子曾以不动声色的威权统治纽约黑帮。当他离世的消息震动全城，普利策奖得主、记者吉米·布雷斯林循着他留下的踪迹，试图揭开传奇面具下的真实人性。